让-保罗·马丁（Jean-Paul Martinon），伦敦大学金史密斯学院（Goldsmiths College）“视觉文化和哲学”（Visual Cultures and Philosophy）教授，并与伊尔·罗格夫（Irit Rogoff）共同创建金史密斯学院“策展／知识”（Curatorial / Knowledge）项目。著有《策展哲学》（The Curatorial: A Philosophy of Curating）及《作为伦理的策展》（Curating As Ethics）。 译者： 王乃一，策展人，MediumMedia联合创始人，英国皇家艺术学院V&A/RCA History of Design博士候选人，英国中英文化协会（Sino-British Fellowship Trust）两届学术奖金的获得者。自2017年起，在中央美术...(展开全部)

Stop curating! And think what curating is all about. This book starts from this simple premise: thinking the activity of curating. To do that, it distinguishes between 'curating' and 'the curatorial'. If 'curating' is a gamut of professional practices for setting up exhibitions, then 'the curatorial' explores what takes place on the stage set up, both intentionally and unintent...(展开全部)

Once considered a mere caretaker for collections, the curator is now widely viewed as a globally connected auteur. Over the last twenty-five years, as international group exhibitions and biennials have become the dominant mode of presenting contemporary art to the public, curatorship has begun to be perceived as a constellation of creative activities not unlike artistic praxis....(展开全部)

Part of JRP|Ringer's innovative Documents series, published with Les Presses du Réel and dedicated to critical writings, this publication comprises a unique collection of interviews by Hans Ulrich Obrist mapping the development of the curatorial field--from early independent curators in the 1960s and 70s and the experimental institutional programs developed in Europe and the U....(展开全部)

This book grew out of a sense that contemporary philosophy lacks a self-image that does it justice. Of the self-images that philosophy inherited from the twentieth century, the most prominent – natural-ism, the linguistic turn, postmodern irony, and so on – seemed obviously inadequate to most of the most interesting work in contemporary philosophy: as descriptions, false when b...(展开全部)

This book grew out of a sense that contemporary philosophy lacks a self-image that does it justice. Of the self-images that philosophy inherited from the twentieth century, the most prominent – natural-ism, the linguistic turn, postmodern irony, and so on – seemed obviously inadequate to most of the most interesting work in contemporary philosophy: as descriptions, false when b...(展开全部)

The second volume in the Blackwell Brown Lectures in Philosophy, this volume offers an original and provocative take on the nature and methodology of philosophy. * Based on public lectures at Brown University, given by the pre-eminent philosopher, Timothy Williamson* Rejects the ideology of the 'linguistic turn', the most distinctive trend of 20th century philosophy* Explains ...(展开全部)

The second volume in the Blackwell Brown Lectures in Philosophy, this volume offers an original and provocative take on the nature and methodology of philosophy. * Based on public lectures at Brown University, given by the pre-eminent philosopher, Timothy Williamson* Rejects the ideology of the 'linguistic turn', the most distinctive trend of 20th century philosophy* Explains ...(展开全部)

This is a new translation of two essential works on Deleuze, written by one of his contemporaries. From the publication of "Deleuze: A Philosophy of the Event" to his untimely death in 2006, Francois Zourabichvili was regarded as one of the most important new voices of contemporary philosophy in France. His work continues to make an essential contribution to Deleuze scholarship...(展开全部)

This is a new translation of two essential works on Deleuze, written by one of his contemporaries. From the publication of "Deleuze: A Philosophy of the Event" to his untimely death in 2006, Francois Zourabichvili was regarded as one of the most important new voices of contemporary philosophy in France. His work continues to make an essential contribution to Deleuze scholarship...(展开全部)